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Taylor Swift is playing her last US shows on her Eras Tour in LA this month and as you can imagine there is an unprecedented demand for tickets. For those who missed out during the chaotic Ticketmaster US ticket sales back in January, fans remain determined to hear the popstar's biggest hits and are attempting to bag last-minute tickets for the sold-out shows at SoFi Stadium in Inglewood. Originally, face-value tickets sold for $49 to $449, but according to the LA Times, tickets for the first show were on sale from $800 to a whopping $11,000 each on StubHub. Sign up to our free Indy100 weekly newsletter As the first show is due to take place tomorrow (August 3), tickets are continuing to rocket in price with the most expensive listing currently being priced at $25,677 for floor seats while a Level 1 suite is $102,070. Swifties have since been taking to social media to share their tips on how to secure face-value tickets on Ticketmaster which occasionally releases tickets last minute. @joecurtains how to get eras tour tickets day of for face value on ticketmaster: aka what I did to score floor seats only 2 hours before the show started. hoping this finds the right audience so fans can get in and beat the scalpers #taylorswift #erastour #swifttok #taylorsversion #tserastour #tickets #ticketmaster #erastourphilly #guide #howto #fyp #fypシ @Taylor Swift So who's in charge of the ticket prices? Well, there are a number of different factors at play. Promotors are the ones who officially set the prices and get money from ticket sales, but given it's Taylor Swift we're talking about she would also have a hand in choosing the venues and informing the promotor where to set prices. Venues charge a facility fee for hosting the concert and are paid by the promoters for this role, some venues have exclusive deals with certain promoters while others do not. And then there are the ticket companies like Ticketmaster who sell tickets with dynamic pricing where the price of a ticket changes according to demand - a move that has received criticism (though artists can opt out of this, as Swift did). On top of this, there is also the service fee for buying the ticket online, a processing fee that "covers miscellaneous expenses associated with online ticketing", and a facility charge for the venue to host the shows. According to Ticketmaster, input is given by the artist on the service fee and facility charge. Finally, there are the resellers who purchase tickets with no intention to attend the show but rather buy tickets to turn a profit by making listings on marketplaces like StubHub and SeatGeek. Prices can shoot up as there are no limits as to what the seller can charge. “This is a truly market-driven platform,” StubHub spokesperson Jessica Finn told LA Times. “So this is really about what sellers think that the price, the value of the ticket is, and what buyers think the value of the ticket is, and they effectively agree on it with a purchase... It’s very much a dynamic marketplace, prices go up and down and we don’t meddle with that.” A team of people or software bots can be used by the reseller to nab batches of tickets - hence why Swift decided for her UK tour to do album order presales, get fans to sign up for the general sale, and have staggered ticket sales throughout the day to try and stop bots and resellers. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

After the 'The View' clip, the comments were flooded with disappointed viewers expressing dissatisfaction over the incomplete airing of Santos' interview

'He would turn dead. Dead-faced, I would say, ‘What did you think of that?’ And he’d say, ‘I don’t know.’ Just nothing,' said Matthew Broderick

Robbie Williams' highly anticipated docuseries has officially dropped on Netflix – and nothing was off limits. The four-part series kicked off by showing a 16-year-old Robbie joining Take That alongside Gary Barlow, Jason Orange, Mark Owen and Howard Donald. Despite being an instant hit, Robbie left the band five years later. The remaining four members parted ways the following year. Now, the 49-year-old is looking back at his lifetime spent in the spotlight, with never-seen-before footage. Robbie Williams | Official Trailer | Netflix www.youtube.com Here are five of the major talking points from the show: What happened between him and collaborator Guy Chambers? In one of the eps, Robbie shared how the partnership between him and Guy Chambers started to break down in the early 2000s, explaining how he felt restricted when his song 'Come Undone' was dismissed. The pair went on to part ways when Robbie addressed that he wanted their partnership to end. "He melted and now there’s a different Guy. And maybe there’s a different me too… I think Guy thought, 'We are a band called Robbie Williams,' but I needed full control as much as possible," he explained. The pair later reunited and worked on albums including Swings Both Ways, Under the Radar volumes one to three and The Christmas Present. His feud with Gary Barlow "It seemed like there was one person being managed in Take That, and it was Gary Barlow," Robbie candidly revealed in the series. "It was all geared around him and, as young person, I would have been jealous of that. I suppose a lot of me resented him.” Robbie reacted to resurfaced footage which showed him making a joke that his former Take That band member "is dead". The first ep saw Robbie's daughter ask who he hated most in the band to which he confirmed it was Gary. "I’m sorry I treated Gary like that," he said. His relationship with Geri Halliwell Robbie dated Spice Girls' Geri Halliwell in the early 90s, while he was at Alcoholics Anonymous. At the time, Robbie believed that she was calling the paparazzi on the pair when they were out and about. However, he now takes that back. "Now I don't think that's true for one second, but at the time I did believe it," he said. "It just goes to show what being in the spotlight can do to you psychologically when you can't trust anybody." Why he left Take That... Robbie shared the real reason behind leaving Take That, after rumours it was due to addiction issues. Speaking to the cameras, he revealed: "The sense that I wasn't ready or capable to fulfil the role that was being asked of me was palpable. "One day I went in for rehearsals, and then at lunchtime, they said, 'Rob, we need to have a band meeting.' I said to the boys I just couldn't be there anymore. "Then they said, 'Look, we wanna see if we can do this tour as a four-piece. What do you think?' "And in the end, 'What do you think?' was me deciding to leave Take That." Opening up about his struggles... Robbie bravely opened up about his past struggles with drugs and alcohol, saying he "was ingesting everything [he] could get [his] hands on - ecstasy, cocaine, drinking." He went on to say that he drank "like a bottle of vodka" a night before going into rehearsals. "Everybody knew I was in trouble, but they didn't care, I'd gone past the point of no return," he said. "My life had spiralled out of control so severely that my manager understood what needed to happen, I needed to be carted off to rehab. He continued: "I used to drink and do drugs because it helped me not feel this way, when you strip that away all the everything comes up that you’ve been suppressing and I’ve been suppressing that for years. I’m depressed and I’m mentally ill." Robbie, who was diagnosed with depression in his early twenties, said: "People at this point still thought that if good things are happening to you and you're successful, what is there to be upset about? "I had to go on stage in front of thousands of people feeling like you’re on the hundredth floor, the room’s burning and you either stay in the room or burn to death or you jump out of the window to your death. It’s that uncomfortable." How to join the indy100's free WhatsApp channel Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.