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Anyone hoping that Kanye West’s verbal attacks on Jewish people were a thing of the past has just been proven stomach-churningly wrong. Over the weekend, footage emerged of the disgraced rapper-producer, 46, dancing along elatedly to his new track ‘Vultures’. He was accompanied by that other paragon of male virtue, Chris Brown, 34, who bopped alongside him to some of the most offensive lyrics we’ve heard in a long time. In the song, which is a collaboration between West and Ty Dolla $ign, the former Mr Kim Kardashian says: “How I’m antisemitic (sic)? I just f***ked a Jewish bitch.” At that point, he and Brown beam at each other, before the song continues: “I just f**ked Scooter's b***h and we ran her like Olympics. Got pregnant in the threesome, so whose baby is it?” This appears to be a reference to Scooter Braun, Ye’s former manager, whom he fired in 2018. Last year, Braun divorced his wife of six years Yael Cohen Braun – a Canadian health activist and founder of a charity called “F**k Cancer” – who is Jewish. The clip, which has been widely circulated on social media, has understandably been met with horror and disgust. Sharing the video to Instagram, New York businesswoman Tanya Zuckerbrot asked: “What’s more sickening? The lyrics [...] Or the fact that both Kanye West and [Chris Brown] find it hysterical?” She followed up by branding the pair “sick, masochistic, antisemitic f**ks.” Thousands of others agreed, with one commentator writing: “Let the record industry chew on this. Let them never EVER work again.” Another urged viewers to block the two artists from their Spotify accounts, providing instructions on how to do so. While a third branded Brown and Ye “the two most problematic rappers of all time”. West, who lost his highest-profile contracts over hideous displays of antisemitism and Nazi veneration last year, continues to face demands to be axed from top streaming platforms. A year ago, a man from Milwaukee launched a petition calling on the likes of Spotify, Apple and Amazon Music to remove all of his solo tracks in a bid to “limit [his] influence on society”. Nathan Goergen wrote on the campaign’s Change.org webpage: “Kanye West has recently made statements praising Hitler and denying the Holocaust, after over a month of making harmful antisemitic statements. “Our society has no place for people who spread that kind of hate to be making millions off of their work. I call on Apple Music, Spotify, Amazon Music, and other streaming platforms to immediately remove all of Kanye West’s solo albums and singles from their platforms. “By doing this, I hope that we can limit Kanye’s influence on society by eliminating his ability to make money off of people streaming his music. His statements are virtually irredeemable, and the time has finally come for him to receive a major punishment. We cannot let him continue to influence our youth and our society as a whole.” It has since garnered more than 95,000 signatures. And yet, the fact that the 46-year-old is still able to release songs featuring such offensive lyrics, and celebrate this alongside a convicted domestic abuser, shows that the world as a whole simply doesn’t care enough to prevent such despicable behaviour. Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

The streaming service Netflix unnnounces all-male line-up for 'Squid Game' season 2 cast as Hwang Jun-ho's shocking return sparks theories

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Australia missed out on a first appearance in a Women’s World Cup final after a 3-1 defeat to England in Sydney. The Matildas fell behind in the first half at Stadium Australia before Sam Kerr levelled with a spectacular finish from distance. But goals from Lauren Hemp and Alessia Russo secured victory for the Lionesses late on to take Sarina Wiegman’s side through to a second consecutive major tournament final. Australia had flourished on home soil during the World Cup, even in the injury-enforced absence of star Kerr for much of the campaign, to progress to the last four for the first time. A last-four defeat nonetheless left the nation wondering what might have been, with Tony Gustavsson’s side now heading to Brisbane for the third place play-off against Sweden on Saturday. Domestic media reports took in the defeat and the emotion of the occasion afterwards with a string of headlines and front pages reflecting on their semi-final appearance. The front page of The Australian reflected both the disappointment and how support has swelled behind the Matildas during the tournament, saying: “Dream Kerr-tailed but national love affair’s just begun”. Sydney’sDaily Telegraph similarly played with the star forward’s name, describing the result as a “Heart breakerr”. “Pride and pain,” read the front of Melbourne daily The Age, whileThe Sydney Morning Herald also reflected a similar theme, describing the Matildas as “queens of hearts” over an image showing the Australia squad gathered together in a heart shape after their defeat. In Perth, meanwhile, The West Australian went with “It hurts …but we’re so proud” on the front of Thursday’s edition. Australian television coverage of the semi-final was watched by more than 11 million people on Channel 7 in the country. The broadcast was the most watched TV event in the nation’s history. Read More Women’s World Cup LIVE: Latest news as England reach first final Can England break cycle of World Cup shocks or will underdogs continue to thrive? USA face ‘critical’ decision as Andonovski exits after disastrous World Cup

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