Britney Spears previously said she wanted her parents, Lynne and Jamie, in jail over her 13-year conservatorship

Daniel Newman played Wulf in the 1991 blockbuster 'Robin Hood: Prince of Thieves' when he was 15

Kai Cenat and Benny Blanco had a FaceTime conversation with Ray, during which they invited him to a strip club.

This relocation marks a continuation of xQc's trend of changing homes but this time there could be something more at play

Doja Cat is facing a backlash after speaking out about the practice of pop stars’ obsessive fan bases using collective nicknames to describe themselves. Taylor Swift has the "Swifties", Ariana Grande has the "Arianators" and Lady Gaga has the "Little Monsters". And until recently, Doja Cat had the "Kittenz". However, in a now-deleted post on social media platform Threads, the pop star said: “My fans don’t name themselves s***. If you call yourself a ‘kitten’ or f***ing ‘kittenz’ that means you need to get off your phone and get a job and help your parents with the house.” The backlash was strong and immediate, in the latest instance of hordes of devoted fans getting just a teensy bit too invested in what musicians say and do. Sign up to our free Indy100 weekly newsletter One of her fan accounts, The Kittenz Web, said: “Just delete the entire account and rethink everything. It’s never too late.” Another fan on Twitter said: “Imagine telling your fans to get a job when they are the ones that buy your music, merch and concert tickets.” Another asked on Threads if she could tell her fans that she loves them. Doja Cat replied: “I don’t though cuz I don’t even know y’all.” One fan hit back: “And we don’t know you. But we have supported you through thick and thin. Mind you, you’d be nothing without us.” But Doja wasn’t having it. She said: “Nobody forced you. IDK why you’re talking to me like you’re my mother... You sound like a crazy person.” The singer eventually deleted her account on the platform following the backlash. It’s not the first time 27-year-old Doja Cat, whose real name is Amala Ratna Zandile Dlamini, has been forced to stand up for herself in the face of fanatical social media followers. She was previously accused of blocking people who weighed in on her relationship with Twitch streamer J Cyrus. “I DONT GIVE A F**K WHAT YOU THINK ABOUT MY PERSONAL LIFE,” she wrote on Instagram. “I NEVER HAVE AND NEVER WILL GIVE A F**K WHAT YOU THINK ABOUT ME OR MY PERSONAL LIFE.” Meanwhile Doja Cat fan pages like Doja HQ, The Kittens Room and Doja Cat News have all deactivated their accounts since the most recent incident. The Grammy award winning musician is expected to release her fourth studio album later this year. According to reports, that will likely steer away from the pop music she has previously released and draw more from hip-hop and R&B. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Taylor Swift now has more number one albums than any other female artist in history following the recent release of "Speak Now (Taylor's...

MrBeast and his team are on the lookout for fans who are willing to participate in his videos

Internet recalls what Honey Boo Boo's BF Dralin Carswell did in the past, including warrant, firearm, and drugs

Arnold Schwarzenegger was chosen for the inaugural Award of Courage at the annual gala on Monday, November 6, at the Beverly Hills Hotel

Martha MacCallum explained that she used the song as she believed it was a good way to begin a conversation about welfare programs

This comes days after Logan Paul defeated Dillon Danis in their highly anticipated match on October 14, which took place in Manchester

As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition