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Eurovision, that famously camp song contest which has a strong pro-LGBTQ+ stance and has this year acknowledged Putin’s war in Ukraine as the reason for it being held in Liverpool on the country’s behalf, has blocked President Volodymyr Zelensky from making a video address - because it would breach the event’s “non-political nature”. Organisers behind the show, who on Thursday saw no issue with drag queens absolutely slaying on the M&S Bank Arena stage and preaching messages of love and acceptance, rejected the request ahead of the grand final on Saturday. In a statement, the European Broadcasting Union (EBU) – whose previous decisions to ban Russia and Belarus from participating definitely weren’t political, obviously – said the request from Mr Zelensky to address the Eurovision audience “while made with laudable intentions, regrettably cannot be granted by the European Broadcasting Union management as it would be against the rules of the event”. Belarus was disqualified from the contest in 2021 over political messaging in their planned entry (their second attempt before the deadline), while Russia was kicked out of Eurovision a year later for its illegal invasion of Ukraine. And the rules state “all participating broadcasters” must ensure that “the ESC [Eurovision Song Contest] shall in no case be politicised and/or instrumentalized and/or otherwise brought into disrepute in any way”. That’s ‘instrumentalise’ in the sense of using Eurovision as a platform to spread a political message, before anyone makes a musical pun (we know you want to)… Sign up to our free Indy100 weekly newsletter The EBU’s decision has since been criticised by Boris Johnson, the former prime minister who became a meme over how many times he’d meet with the Ukrainian president whenever he was experiencing a turbulent moment in his premiership. “It would have been right to hear from President Zelensky at tomorrow night’s Eurovision. There is only one reason the contest is not in Ukraine and that is because of Putin’s illegal war,” he tweeted. Meanwhile, Prime Minister Rishi Sunak’s spokesman told reporters: “The prime minister believes it would be fitting for President Zelensky to address the event and we’re disappointed by the decision from the European Broadcasting Union. “The values and freedoms that President Zelensky and the people of Ukraine are fighting for are not political; they’re fundamental, and Eurovision themselves recognised that last year when they rightly suspended Russia’s participation from the competition.” No 10 added, however, that they are not planning to call on the EBU to change its mind. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Barbie and Oppenheimer did so well at the box office at their opening weekend that Vue International reported its biggest weekend for UK cinema ticket sales since before the pandemic. On Sunday, the cinema chain said a fifth of its customers had bought tickets to see both films in a double bill. More than 2,000 of Vue’s screenings for Barbie were sold out, according to the company. The company said the comedy drama Barbie, starring Margot Robbie and Ryan Gosling, would exceed ticket sales for Super Mario Bros and expected Oppenheimer to become the biggest film of the year. Tim Richards, chief executive and founder of Vue International, said: “Vue saw its highest weekend admissions since Avengers: Endgame in 2019 with the release of Barbie and Oppenheimer, proving that when the movies are there our customers will come to watch them on the big screen. Sign up to our free Indy100 weekly newsletter “Barbie is tracking to become the biggest film of 2023 and has a good chance of getting into the Top 10 highest grossing films of all time. “It is an incredibly exciting moment for the industry, and we expect this trend to continue for the coming weeks.” In total, the cinema chain had more than 4,000 sell-out sessions across the country for both films. Meanwhile, Odeon reported on Thursday that more than 200,000 advance tickets had been bought and more than 10,000 guests were expected to see both films during the opening weekend. Universal Pictures said Oppenheimer had made £8.05m in the UK and Ireland since Friday. They said the biopic is on track to have a better opening three days than Nolan’s other blockbusters Dunkirk, Interstellar and Inception. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Stereophonics frontman Kelly Jones has spoken about the growing use of artificial intelligence in music saying that “art should come from people”. The 49-year-old lead singer of the rock band which formed in Wales in 1992 also questioned the move towards multiple songwriters on a release. Jones spoke to Times Radio at Latitude Festival in Henham Park, Suffolk, on Sunday after he played with his new band Far From Saints. The Welsh musician said he had not realised until attending the Ivor Novello Awards that AI technology is being increasingly used to “finish off people’s songwriting”. He also said: “I’m not against forward-thinking technology and how things are progressing, but I think art should come from people, I mean the basics of it anyway. “I think art has always been somebody’s expression, a real person’s expression from a heart, from a head. “If you’re going to start an idea, then a computer finishes it, I mean, it’s OK, but it’s just about algorithms and things like that, it’s not my personal feeling on where it should come from. “I’m not really into 10 songwriters on a song. “It’s like if you’re making painting, you’ve got 10 painters chucking paint on a canvas, I mean, whose f****** painting is it anymore?” Far From Saints have been touring festivals after releasing Let’s Turn This Back Around earlier this year. Jones, who set up his new band with Patty Lynn of The Wind And The Wave, said since the pandemic and the UK’s break from the European Union it has become harder to make money from music. He said: “It’s kind of a nightmare with… Brexit and all that sort of stuff. “So it’s a very different place since Brexit, since Covid, since all of that stuff. “So it’s not easy to make a living of it if you’re a brand new kid coming out onto the street, ‘just let’s get in a van and go make music’ – it’s kind of hard.” There has been a mixed response to the technology in the music business, with country star Dolly Parton voicing concerns about AI while Black Eyed Peas member Will.i.am has taken an optimistic view on new music software. Last month, Parton told a press event: “I think I’ve left a great body of work behind. “I have to decide how much of that high-tech stuff I want to be involved because I don’t want to leave my soul here on this Earth.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live TikTok is now most favourable single source of news in UK teenagers, research shows Talk of AI dangers has ‘run ahead of the technology’, says Nick Clegg Eurostar passengers can avoid UK passport checks by having faces scanned

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