List of All Articles with Tag 'l'

Jessica Tarlov spoke at length about how misinformation about the Covid vaccine was rampant on social media

'I Can See Your Voice' Season 3 is poised for its return, captivating viewers with its distinctive mix of music and mystery

If Tom Hardy appears on par with co-stars like Christian Bale and Morgan Freeman, there's a reason

Simona Halep was banned from tennis for four years after testing positive for the banned substance Roxadustat

They’re two of the richest men in the world, and Bill Gates and Elon Musk haven’t exactly seen eye to eye over the years. In fact, they’ve both played their part in a bizarre feud over recent times. Musk previously hit out at Gates in a strange slam slam last, comparing him to the pregnant man emoji, while Gates was also criticised by Musk after it was revealed that he was shorting Tesla’s stock. Now, Gates has claimed that Musk was “super mean” to him after finding out about his stock market move. It’s related to the release of Walter Isaacson’s new biography of Musk. Speaking about the pair’s disagreement to Isaacson, Gates said: "Once he heard I'd shorted the stock, he was super mean to me, but he's super mean to so many people, so you can't take it too personally.” Gates also claimed that he apologised for shorting Tesla stock, but things didn’t improve between the pair. It’s not the only revelation to come from the biography. According to Grimes, his on-off girlfriend, the tech mogul stayed up all night playing video games after putting the offer in for the app now known as X. Since purchasing Twitter last year, Musk has brought in a number of changes including making users pay for their verifying blue ticks and changing the name and logo to X. Meanwhile, Musk has also recently baffled fans of the popular game Warhammer 40,000 by seemingly borrowing from the title as the inspiration for his newest child's name: Techno Mechanicus. Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

Jack Paul met and greeted Aaron Rodgers before the NFL star suffered an injury in his debut match

Cardi B revealed her body measurements in a cryptic tweet in 2019

The iconic movie portrays the themes of growing up, maturing, experiencing new emotions, and the importance of friendship

Joe Rogan said, 'The rematch is 100% the big money, and would be smart to do, wow, Izzy doesn't wanna hug him'

Madison Beer's second album, 'Silence Between Songs', is scheduled to release on September 15 and will have a total of 14 tracks

As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition

Travis Kelce tried to find love when he starred in a dating show with 50 women