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Barbie and Oppenheimer did so well at the box office at their opening weekend that Vue International reported its biggest weekend for UK cinema ticket sales since before the pandemic. On Sunday, the cinema chain said a fifth of its customers had bought tickets to see both films in a double bill. More than 2,000 of Vue’s screenings for Barbie were sold out, according to the company. The company said the comedy drama Barbie, starring Margot Robbie and Ryan Gosling, would exceed ticket sales for Super Mario Bros and expected Oppenheimer to become the biggest film of the year. Tim Richards, chief executive and founder of Vue International, said: “Vue saw its highest weekend admissions since Avengers: Endgame in 2019 with the release of Barbie and Oppenheimer, proving that when the movies are there our customers will come to watch them on the big screen. Sign up to our free Indy100 weekly newsletter “Barbie is tracking to become the biggest film of 2023 and has a good chance of getting into the Top 10 highest grossing films of all time. “It is an incredibly exciting moment for the industry, and we expect this trend to continue for the coming weeks.” In total, the cinema chain had more than 4,000 sell-out sessions across the country for both films. Meanwhile, Odeon reported on Thursday that more than 200,000 advance tickets had been bought and more than 10,000 guests were expected to see both films during the opening weekend. Universal Pictures said Oppenheimer had made £8.05m in the UK and Ireland since Friday. They said the biopic is on track to have a better opening three days than Nolan’s other blockbusters Dunkirk, Interstellar and Inception. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Doja Cat is facing a backlash after speaking out about the practice of pop stars’ obsessive fan bases using collective nicknames to describe themselves. Taylor Swift has the "Swifties", Ariana Grande has the "Arianators" and Lady Gaga has the "Little Monsters". And until recently, Doja Cat had the "Kittenz". However, in a now-deleted post on social media platform Threads, the pop star said: “My fans don’t name themselves s***. If you call yourself a ‘kitten’ or f***ing ‘kittenz’ that means you need to get off your phone and get a job and help your parents with the house.” The backlash was strong and immediate, in the latest instance of hordes of devoted fans getting just a teensy bit too invested in what musicians say and do. Sign up to our free Indy100 weekly newsletter One of her fan accounts, The Kittenz Web, said: “Just delete the entire account and rethink everything. It’s never too late.” Another fan on Twitter said: “Imagine telling your fans to get a job when they are the ones that buy your music, merch and concert tickets.” Another asked on Threads if she could tell her fans that she loves them. Doja Cat replied: “I don’t though cuz I don’t even know y’all.” One fan hit back: “And we don’t know you. But we have supported you through thick and thin. Mind you, you’d be nothing without us.” But Doja wasn’t having it. She said: “Nobody forced you. IDK why you’re talking to me like you’re my mother... You sound like a crazy person.” The singer eventually deleted her account on the platform following the backlash. It’s not the first time 27-year-old Doja Cat, whose real name is Amala Ratna Zandile Dlamini, has been forced to stand up for herself in the face of fanatical social media followers. She was previously accused of blocking people who weighed in on her relationship with Twitch streamer J Cyrus. “I DONT GIVE A F**K WHAT YOU THINK ABOUT MY PERSONAL LIFE,” she wrote on Instagram. “I NEVER HAVE AND NEVER WILL GIVE A F**K WHAT YOU THINK ABOUT ME OR MY PERSONAL LIFE.” Meanwhile Doja Cat fan pages like Doja HQ, The Kittens Room and Doja Cat News have all deactivated their accounts since the most recent incident. The Grammy award winning musician is expected to release her fourth studio album later this year. According to reports, that will likely steer away from the pop music she has previously released and draw more from hip-hop and R&B. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

The Barbie movie has been out for mere days but it is already making history. The Greta Gerwig directed film scored a US$377m (£293m, A$560m) opening weekend around the world, making it the biggest debut ever for a film directed by a woman. Now that is the Kenergy we love to see. At the North American box office – combining the US and Canada – Barbie claimed top spot with $155m in ticket sales from 4,243 locations, surpassing The Super Mario Bros Movie and every Marvel film released this year to become the biggest opening of the year. Sign up to our free Indy100 weekly newsletter Internationally, Barbie earned $182m from 69 territories and women made up 65 per cent of the audience, according to PostTrak, with 40 per cent of ticket buyers under the age of 25. “It was a truly historic weekend and continues the positive box office momentum of 2023,” said Michael O’Leary, president and CEO of the National Association of Theatre Owners. “People recognised that something special was happening and they wanted to be a part of it.” It comes after director Gerwig revealed the scene in Barbie that she refused to cut, despite pressure from the studio. The Academy Award-nominated director said that it was suggested she remove a scene where Barbie meets an elderly woman on a bench and tells her she’s beautiful. “I love that scene so much,” Gerwig told Rolling Stone. “And the older woman on the bench is the costume designer Ann Roth. She’s a legend. It’s a cul-de-sac of a moment, in a way - it doesn’t lead anywhere." "And in early cuts, looking at the movie, it was suggested, ‘Well, you could cut it. And actually, the story would move on just the same.’ And I said, ‘If I cut the scene, I don’t know what this movie is about.'” Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Cillian Murphy has addressed the sex scenes with Florence Pugh in Oppenheimer, calling them “f***ing powerful” and praising the acting talents of his co-star. Murphy plays the titular role in the Christopher Nolan movie, focusing on the “father of the atomic bomb” J. Robert Oppenheimer. The actor was asked about the sex scenes between Oppenheimer and his mistress Jean Tatlock, played by Pugh, and he described them as “perfect” and “not gratuitous”. Speaking to the Sydney Morning Herald, Murphy said: “Those scenes were written deliberately. [Director Nolan] knew that those scenes would get the movie the rating that it got.” Sign up to our free Indy100 weekly newsletter Murphy went on to say “I think when you see it, it’s so f***ing powerful. And they’re not gratuitous. They’re perfect. And Florence is just amazing.” The actor went on to praise Pugh’s performance, saying: “I think she’s f***ing phenomenal. She has this presence as a person and on screen that is staggering. “The impact she has for the size of the role, it’s quite devastating.” Meanwhile, Oppenheimer has sparked controversy in India over a sex scene referencing the Hindu holy book Bhagavad Gita. Oppenheimer’s line “Now I am become Death, the destroyer of worlds,” is, apparently, true to real life. It also appeared in the Bhagavad Gita when the god Vishnu is trying to persuade Prince Arjuna that he should do his duty and to impress him, takes on his multi-armed form and says the same words. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

IShowSpeed has had a huge impact on the YouTube community with over 18 million followers

Despite the swirling controversies, Andrew Tate's fanbase remains staunchly loyal, continuing to support the former kickboxer amidst the storm